Showing posts with label Sam Lock. Show all posts
Showing posts with label Sam Lock. Show all posts

Monday, April 14, 2014

WATERS EDGE

Beautiful photography by Stephen Strom. Website here

There is something enchanting about walking near water and I've realized that I'm happiest near the sea or a mountain stream.... or at any waters edge, for that matter. My husband loves to tell the story (and it's becoming a bit tiresome) about how whenever I'm walking in the mountains and hear a stream burbling nearby I disappear into the bracken in search of it and he knows he will find me kneeling at the waters edge to taste the water.


Marsh (Reduction woodcut) by Jean Gumpper. See more of Jean's work here

AT BLACKWATER POND by Mary Oliver

At Blackwater Pond the tossed waters have
 settled
after a night of rain.
I dip my cupped hands. I drink
a long time. It tastes
like stone, leaves, fire. It falls cold
into my body, waking the bones. I hear them
deep inside me, whispering
oh what is that beautiful thing
that just happened?

 Maureen Shaughnessy

 While searching for an image to go with Mary Oliver's poem I stumbled across Maureen Shaughnessy's blog. Maureen is an artist/photographer/poet who illustrated Mary's poem, In Blackwater Woods with the artwork (above). I think Maureens's images are perfect for Mary Oliver's poetry. Read her blog post  here.

Moon Rising in Grasses by Maureen Shaughnessy.

"In our spiritual tradition, we give away whatever is holding us back -- whatever is troubling us -- by sitting beside running water and letting the negative feelings, thoughts, or obstacles go. We imagine the obstacles flowing away with the current, like a leaf or a twig". Maureen Shaughnessy

I love this idea. Go here to read more.


Ripples by Paul Mitchell. See more of Paul's photos on Flickr, here.


Olli Kekalainen. See Olli's blog here

"Here is the fringey edge where elements meet and realms mingle, where time and eternity spatter each other with foam. The salt sea and the islands, molding and molding, row upon rolling row, don't quit, nor do winds end nor skies cease from spreading in curves". - Annie Dillard from Holy The Firm
 Stephen Strom. See more here

 Stephen Strom

 Suburban sand castles by Chad Wright. Photography by Lynn Kloythanomsup. See more photos of Chad's installation, Masterplan, here  and Lynn's photo stream at Flickr here.

Masterplan by Chad Wright. Photography by Lynn Kloythanomsup. See Chad's website here

 Arc by Sam Lock. See website here

Meltwater by Sam Lock

Wednesday, October 5, 2011

STRIPES, STRIPY, STRIPED


Sean Scully. See more of Sean's work here.

Sean Scully immediately comes to mind when thinking of stripes in contemporary art but there are also many other wonderful artists incorporating stripes into their work. These are just a few of my favourite pieces.


Minnie Pwerle. Acrylic on linen. See more here.

Minnie Pwerle. Acrylic on linen.

Stripes #4, oil and mixed media on panel by Rebecca Crowell. See website here.

Tea Bag Quilt by Sophie Truong. See Sophie's Flickr photo stream here.


Mathew Harris. See more of Mathew's textile art on his website here.


Bill Gingles. See website here.

Sam Lock. Website here.

Detail from sculpture by Ursula von Rydingsvard. Photo taken by Mathew Felix Sun. See Mathew's blog here.


Large ceramic pieces by South African artist Louise Gelderblom. See website here.

"The shape of the piece and the surface markings on it create a rhythm, a percussion beat that I think of as a wordless tactile language." - Louise Gelderblom

Sunday, October 3, 2010

PEBBLE COLOURS


Confluence by Alan Magee at Green Hut Galleries, here.

"Thousands of years of grinding on seashores turns pebbles to sand; in the meantime their softened, rounded edges and many-colored hues make us yearn to pick them up and put them in our pockets as a keepsake and to rub their smooth, cool surfaces." - Quote from Paint by Elizabeth Hilliard and Stafford Cliff

Diving Bell by Jen Bradford. Website here.

Shades of pebble beach, mountain stream and stormy sky. These are the colours that make me feel pensive, introspective and calm.


Another beautiful piece by India Flint! Website here.

I'm intrigued by the physiological effects of colours and the way they can calm or stimulate one. I keep returning to these shades of grey because of the peaceful effect they have on me. See previous post .


Water Koan by Bill Gingles. Website here.

"Art should be something like a good armchair in which to rest from physical fatigue." - Henri Matisse


Mi Casa by Luca Bray. Website here.


Perhaps by Yves Leterme. Website here. I'm so glad Leslie introduced me to Yves' work!


Old Stained Wall by Yves Leterme. Website here.



She Opened the Box by Jeane Myers. Website here.

h75 by Sam Lock. Website here.

"My aim is to create an emotional sense of space and place, where time ravages, wind blows, seas swell, places are found, days dwindle, moments are present then past." - Sam Lock

Lava Roots. Etching by Anna McKee at the Francine Seders Gallery here.

Wool Clip by Rosalie Gascoigne. See more here.



I was delighted to find this little box of memories by Joel Henriques. Blog here.

Wednesday, July 28, 2010

DELICIOUSLY TACTILE

Light (detail) by Dina Barzel. See more at the Francine Seders Gallery, here.

As far back as I can remember I've been intrigued by texture. In fact one of my earliest memories is of running my hands over newly sawn logs, feeling the rough bark under my finger tips and watching wide eyed as the wood cutter chopped the logs into smaller pieces for kindling. So intrigued was I that I got too close and the inevitable happened. A flying splinter went into my eye and all hell broke loose.

I have another memory of thrusting my hands blindly into the mealie crib, savouring the cool knobbliness of the dried corn on the cobs ..... and the warm fur of an unsuspecting field mouse. All hell broke loose yet again.

My mother's voice still rings in my ears .... RobynnnnnDear, will you please keep your hands out of trouble!

There were so many wonderful things to touch and feel on the farm. Nests of downy feathers, warm smooth hen's eggs, baby animals, wriggly frogs, sacks filled with coarse mealie meal, orchards of good climbing trees and sun baked fruit, rusty wagon wheels, squishy clay moulded into oxen, warm prickly haystacks, cool stone walls ..... In fact the farm was one long tactile adventure.

No surprise that I love the tactile qualities of art. Delicious textures in many forms.

En masse. Recycled Book Sculpture by Yvette Hawkins. Website here. Etsy shop here.

Yvette Hawkins, creates tactile sculptures and installations from folded paper.



Carved vintage bricks by Chris Berti. See more of Berti's work at the Tory Folliard Gallery, here.

Danza Vessel. Handbuilt stoneware by Alexis Strong. See more here.


"I’m drawn to ancient vessels and containers because they hold a secret and mysterious history. The exquisite "art" that emerges from their utilitarian purpose is what inspires me." - Alexis Strong


Plate 21. Oils and mixed media on constructed board by Sam Lock. Website here.


30h3. Oils and mixed media on constructed board by Sam Lock. Website here.


Earth - Repition of an act of mourning (detail) by Barbara Wisnoski. Website here.


"I am interested in the relationship between texture and time. The process of building a piece, whereby a fabric loses its singular quality and becomes part of the whole, reminds me of how time washes a harmonious patina over objects and memories. The prospect of decay is key to the work: seeing how pieces done long ago have changed over time reminds me that they were made from living fibres and, like us, evolve and deteriorate. Also like us, these pieces become more themselves, therefore more beautiful, with age." - Barbara Wisnoski


Sharman's Dress by Mar Goman. See closer details here at the Francine Seders Gallery.


Lyle introduced me to Mar Goman's work. These pieces remind me of my own Hunter totems, here.


Installation by Fred Birchman. See the rest of the installation photographs at the Francine Seders Gallery, here.

This installation made me yearn for a studio where I can spread all my tools and wood about so that I can always feel the creative buzz ..... instead of having to set up and pack away.... set up and pack away on a daily basis.


"Although I am not interested in the nostalgia of these places, as most do not prompt memories of dramatic or trivial events, the alchemy of sawdust and grease, the haphazard organization of wood and metal objects and their mysterious functions attract in me a primal way." - Fred Birchman

Installation by Fred Birchman


Hollow Notes by Marc Wenet. See more of Marc's work here.


Carved Totem by Robyn Gordon :-)