My husband left to go fishing at 4.00 am on Sunday morning so I had the whole day to finish carving a totem which had been giving me a few headaches. By the time the first hadeda called I'd already set up my work bench in the courtyard and by midday I was totally immersed in my carving. Working in quiet solitude, more often than not, helps me to find and fix any problem areas in my art.
James Blackwell's work centres on themes of silence, nature, structure and meditation.
Silent. Mixed media by James Blackwell
Judit Varga's clay vessels have that weather-worn look that I love, reminding me of gnarled coils of bark or sea corroded conch shells.
Blue Cocoon by Judit Varga. See more of Judit's work here.
"I work in a quiet solitude in my studio and find this peaceful loneliness a perfect stage for my play with clay. In the silence sometimes there is a moment of harmony when the clay and I understand each other perfectly, we know exactly what the other one wants to do. Those are the moments that I long for and this longing draws me back to the studio to open up a new bag of clay and start again. - Judit Varga
Twisted lines #3 by Judit Varga
I recently discovered the small collages of Michel Lefebvre and immediately fell head over heels in love with them. Wander over to Penumbra to see more of Michel's collages, here.
The heart of the matter . Mixed media collage by Michel Lefebvre
"I create these small mixed media/collage pieces every morning at 5h30, sitting at my desk with an espresso (which serves as a wash to delineate the image field!). They are, I suppose, a kind of meditation, a way to focus and begin the day. The format is small (9.5 x 14 centimetres) and I try to post a drawing every day". - Michel Lefebvre
A leap of faith. Mixed media collage by Michel Lefebvre
When did you get here? Mixed media collage by Michel Lefebvre