Showing posts with label Patrick Dougherty. Show all posts
Showing posts with label Patrick Dougherty. Show all posts

Sunday, November 3, 2013

THE WOOD GATHERERS

 Tracey Deep is a floral sculptor inspired by nature. See more here

There is nothing quite like 
the feeling of calm that envelopes one 
when out gathering 
I love returning from a walk
laden with bouquets of drift wood
I'm drawn to driftwood colours
soft greys, warm woodiness, sun bleached naturals.
Wood, tossed about in the sea
the edges rubbed smooth by sand and water.

 North Carolina artist Patrick Dougherty create's freeform sculptures woven together out of branches. See website here.

As a boy, Patrick Dougherty gathered twigs. He began "drawing" with sticks and later he used saplings and tree cuttings found along hydro lines to create his magnificent sculptures.


Patrick Dougherty gathering branches. Website here.

"It seems like humans have to continuously struggle with ideas about nature and redefining our relationship with the natural world. Domesticated gardens versus the wilderness are part of a worldwide discussion and part of my (our) inner conflict. Certainly gardens are a kind of rendition of the unfettered wilds. Shrubs, trees, flowers and grass become commodities and are forced into human geometry. I try to free the surfaces of my work using sticks as a drawing material, work them in such a way they look like they are escaping those chains of being planted in a row. I imagine that the wilderness lurks inside my forms and that it is an irrepressible urge."  -  Patrick Dougherty

I enjoyed John Grande's interview with Patrick.


Large scale temporary sculptures from materials gathered in the nearby landscape by Patrick Dougherty

"It seems that people like gardens and grass, but they desperately desire a connection to wilderness" - Patrick Dougherty


"Tree Fall" by Andy Goldsworthy. The ceiling and suspended tree branch have been covered in clay. Goldsworthy has succeeded in creating a "Hobbit hole". Read about this new installation here. 

Andy Goldsworthy with his installation, Tree Fall

"I enjoy the freedom of just using my hands and "found" tools -- a sharp stone, the quill of a feather, thorns. I take the opportunities each day offers: if it is snowing, I work with snow, at leaf-fall it will be with leaves; a blown-over tree becomes a source of twigs and branches. I stop at a place or pick up a material because I feel that there is something to be discovered. Here is where I can learn."  -  Andy Goldsworthy


Islamic/Meso America by Loren Eiferman. Website here

"The wood, for me, is now a line in space created by hundreds of smaller pieces of wood jointed together to create one sculpture. To create my work, I usually begin with a drawing, an intention of what direction I want my sculpture to go in. I start out each day with a walk in the woods and gather sticks that have fallen to the ground."  -  Loren Eiferman

 Black Hole by Loren Eiferman. Website here.


Loren Eiferman. Website here

Roger Ackling "draws" on found wood with a ray of sunlight through a magnifying glass. 
I know! Amazing!
Found wood assemblage by Roger Ackling. See more here.

Assemblage by Roger Ackling

Flying machine by Wim Del Arte. Blog here.

Wim Del Arte spends many a day out walking along the banks of La Palma, gathering drift wood and found objects. He then creates the most amazing array of art with his lucky finds. The flying machine is assembled from driftwood, aluminium, copper, rusted metal, bits of twisted plastic and spark plugs found on the beach of Tazacourt.

"Collectors are happy people"  -  Goethe

Thursday, June 13, 2013

.... AND SO WE MAKE ART

Graphic artist, Antonio Ladrillo. See website here.

In grade one I was in awe of the little girl who sat at the desk next to mine. 
She drew beautiful horses. 
Real horses! Not just the stick figure variety. 
I couldn't wait to tell my mom when she fetched me from school. "There is a REAL artist in my class!" 

From as far back as I can remember, I have perceived artists to be the most amazing, luckiest, magical people.  

"With the word creative we stand under a mystery. And from time to time that mystery, as if it were the sun, sends down upon one head or another, a sudden shaft of light.... " 
 -- Pamela Travers, Creators on Creativity

Choreographic Drawings by Tony Orrico. See Tony's website here.

Self portrait by South African artist William Kentridge. See more here.

Anselm Kiefer putting the finishing touches to his painting, Journey to the End of Night. Click here

April Zanne Johnson working in her studio. See more here

Abstracts by Conny Niehoff. See website here.

Isabella Ducrot. See website here.

Nnenna Okore. See website here

Neckpiece by fiber artist and sculptor, Jennifer Moss. See website here

Woodfire Ceramic Artist, Ashwini Bhat. See website here

"I gather shapes from the world around me, from travel, and from my journeys through books. I also look inside myself for forms that arise from my experience as a dancer, seeking to rephrase that understanding of the body through a new medium of expression, the body of clay."
 --  Ashwini Bhat

Wood Sculpture by Pilar Ovalle.  Photographer Silvio Lacerda, click here


Joshua Vogel (Photo by Rose  Callahan). See website here

Ariele Alasko makes eye catching furniture from reclaimed wood. See Ariele's website here.

Wood sculpture by Bruno Walpoth. See website here.

Patrick Dougherty. See Patrick's amazing sculpture here.

"Life is so ridiculously gorgeous,
strange, heartbreaking, horrific, etc.,
that we are compelled to describe it
to ourselves, but we can't!
We cannot do it!
And so we make art."
-- Miranda July

Saturday, March 28, 2009

THE SPIRAL OF LIFE


Ashes by Jennifer Khoshbin who is a carver of books. (see more of Khoshbin's prints here)

Most, if not all, cultures have used the spiral as a positive symbol. It has been associated with the cycles of life. Cycles of birth, death and rebirth. Cycles of time and growth, nature and her seasons.

Spirals found at Newgrange, Ireland. It has been suggested that they relate to the solar cycle. Read more here. Intriguing!

Container with spiral decoration, Bronze and Iron Age, Late period, 300B.C. - 200 A.D. Thailand. Metropolitan Museum of Art

Spiral Meditation by Kalyna Pidwerbesky. Felt and fibre.

Spot of Spiral Tea by Christie Reynolds at New York Art Exchange.

Sweet grass basket sculpture by Debora Muhl.

Cell Division by Patrick Dougherty
"Dougherty's works allude to nests, cocoons, hives, and their lairs built by animals, as well as the manmade forms of huts, haystacks, and baskets, created by interweaving branches and twigs together. Many of his works look 'found' rather than made, as if they were created by the natural force of a tornado sweeping across the landscape. He intentionally tries for this effortless effect, as if his creations just fell or grew up naturally in their settings." - Linda Johnson

Brick Things by Bennett Blackburn

Land Art by Jim Denevan

"Jim Denevan makes freehand drawings in sand. At low tide on wide beaches Jim searches the shore for a wave tossed stick. After finding a good stick and composing himself in the near and far environment Jim draws-- laboring up to 7 hours and walking as many as 30 miles. The resulting sand drawing is made entirely freehand with no measuring aids whatsoever. From the ground, these drawn environments are experienced as places. Places to explore and be, and to see relation and distance. For a time these tangible specific places exist in the indeterminate environment of ocean shore. From high above the marks are seen as isolated phenomena, much like clouds, rivers or buildings. Soon after Jim's motions and marks are completed water moves over and through, leaving nothing."


Hundertwasser regarded the spiral as a symbol of life and death.


"Our earth describes a spiral course. We move in circles, but we never come back to the same point. The circle is not closed. We only pass the same neighbourhood many times. It is characteristic of a spiral that it seems to be a circle but is not closed."

"The spiral shows life and death in both directions. Starting from the center, the infinite small the spiral means birth and growth, but by getting bigger and bigger the spiral dilutes into the infinite space and dies off like waves who disappear in the calm waters.
On the contrary if the spiral condenses from outer space, life starts from the infinite big, the spiral becomes more and more powerful and concentrates into the infinitely small which cannot be measured by man because it is beyond our conception and we call it death." - Hundertwasser