Showing posts with label Nnenna Okore. Show all posts
Showing posts with label Nnenna Okore. Show all posts

Thursday, June 13, 2013

.... AND SO WE MAKE ART

Graphic artist, Antonio Ladrillo. See website here.

In grade one I was in awe of the little girl who sat at the desk next to mine. 
She drew beautiful horses. 
Real horses! Not just the stick figure variety. 
I couldn't wait to tell my mom when she fetched me from school. "There is a REAL artist in my class!" 

From as far back as I can remember, I have perceived artists to be the most amazing, luckiest, magical people.  

"With the word creative we stand under a mystery. And from time to time that mystery, as if it were the sun, sends down upon one head or another, a sudden shaft of light.... " 
 -- Pamela Travers, Creators on Creativity

Choreographic Drawings by Tony Orrico. See Tony's website here.

Self portrait by South African artist William Kentridge. See more here.

Anselm Kiefer putting the finishing touches to his painting, Journey to the End of Night. Click here

April Zanne Johnson working in her studio. See more here

Abstracts by Conny Niehoff. See website here.

Isabella Ducrot. See website here.

Nnenna Okore. See website here

Neckpiece by fiber artist and sculptor, Jennifer Moss. See website here

Woodfire Ceramic Artist, Ashwini Bhat. See website here

"I gather shapes from the world around me, from travel, and from my journeys through books. I also look inside myself for forms that arise from my experience as a dancer, seeking to rephrase that understanding of the body through a new medium of expression, the body of clay."
 --  Ashwini Bhat

Wood Sculpture by Pilar Ovalle.  Photographer Silvio Lacerda, click here


Joshua Vogel (Photo by Rose  Callahan). See website here

Ariele Alasko makes eye catching furniture from reclaimed wood. See Ariele's website here.

Wood sculpture by Bruno Walpoth. See website here.

Patrick Dougherty. See Patrick's amazing sculpture here.

"Life is so ridiculously gorgeous,
strange, heartbreaking, horrific, etc.,
that we are compelled to describe it
to ourselves, but we can't!
We cannot do it!
And so we make art."
-- Miranda July

Thursday, April 12, 2012

WEAVE, WEAVING, WOVEN


I found a beautiful poem by Adrienne Rich which transported me to a cosy spot beside the Aga in a farm kitchen long ago. I picture a woman sitting with head bowed over her handwork. Perhaps she is weaving or crocheting, sewing, sketching, collaging .... or even carving.

"..... Vision begins to happen in such a life
as if a woman quietly walked away
from the argument and jargen in a room
and sitting down in the kitchen,
began turning in her lap
bits of yarn, calico and velvet scraps
laying them out absently on the scrubbed boards
in the lamplight, with small rainbow-colored shells
sent in cotton-wool from somewhere far away,
and skeins of milkweed from the nearest meadow -
original domestic silk, the finest findings -
and the dark petal of petunia,
amid the dry dark brown lace of seaweed;
not forgotten either, the shed silver
whisker of the cat,
the spiral of paper-wasp-nest curling
beside the finch's yellow feather.
Such a composition has nothing to do with eternity,
the striving for greatness, brilliance -
only with the musing of the mind
one with her body, experienced fingers quietly pushing
dark against bright, silk against roughness,
pulling the tenets of a life together
with no mere will to mastery,
only care for the many-lived, unending
forms in which she finds herself ..... "

- Adrienne Rich, Transcendal Etude




When fiber artist and bush sculptor, Janine McAullay Bott first began weaving she recalls that "Something came over me. I'd never weaved an object in my life, yet it felt like I'd been doing it forever. That feeling went from my heart right through to the tips of my fingers. I haven't been able to stop since."

"I like to call a weave a thought I had. Sometimes I'd just sit there and think about my grandfather or my mother and my hands would keep going - like they had a mind of their own" - Jane McAullay Bott


If you are a basket maker you have probably visited Tim Johnson's studio photo blog, here. Not only are his baskets wonderful but his photography is outstanding too.




Woven bottles by Mary Giles


Gurage basket, Ethiopia

If you would like to see more images, visit my WEAVE board at Pinterest, here.

See video, Gapuwiyak's Women With Clever Hands, here.

Monday, May 18, 2009

INSPIRED BY THE RECYCLING CULTURES IN AFRICA

Ashioke (clay and burlap) 71cm X 89cm


In Africa nothing is wasted. Cardboard, discarded planks and corrigated iron are used to make shelters: Cement bags and newspapers are used for bedding and insulation; labels from tin cans make cheerful wall paper; tin cans and wire are transformed into toys, utensils and suitcases; spark plugs are ideal for fishing sinkers and weights on caste nets.


Rope made with twisted newspaper


Nnenna Okore is an artist who has been inspired by the ingenius ways discarded materials are used in the rural areas of her native Nigeria. She celebrates these recycling practices and transforms found objects into art.




The materials she uses in her artworks include newspapers, cloth, rope, clay, sticks and wax which she twists, rolls, weaves and sews using techniques learned by watching villagers perform day to day tasks.



Nnenna was drawn to the "carefully arranged wares borne on the heads of street peddlers, and household items in the market place lined up on the termite eaten tables and pews, plant tubers assembled in huge piles as well as sacks of grain stacked six to eight feet high and four to ten feet wide."

"I was also drawn to simple sights of bare-footed children appropriating toys and hunting tools from scrap objects."


Ashoebi II (clay and burlap) 127cm X 229cm

"Of all the aspects of rural life that inspired me, the use of discarded objects and found materials in coping with poor economic conditions, had the most profound impact on me. It is reflected in the visual content and imagery of my works, which by virtue of these influences, celebrate the transformation of discarded materials into cultural objects, forms, and spaces, and bring a critical focus to bear on the consumption and recycling cultures in parts of Nigeria."


Ala Igbe (clay and burlap) 231cm X 91cm

If you are curious about these striking artworks you can see closer views of these pieces and more at Nnenna Okore's website, here and also at the October Gallery website here.