CONTEMPORARY PALIMPSEST II

My Secret Thoughts by Patricia Oblack. See Website here.

The definition of Palimpsest according to the Merriam Webster Dictionary is:
1. Writing material (as a parchment or tablet) used one or more times after earlier writing has been erased.
2. Something having usually diverse layers or aspects apparent beneath the surface.

In this post I have featured artists who have used this concept in their art.

Handwriting on the Wall by Patricia Oblack. See Tumblr blog here.

The two paintings (above) by Patricia Oblack were done on a piece of plywood which Patricia's daughter had used as a diary of sorts to jot down her thoughts , phone numbers etc, late at night .... which of coarse is the ideal time to jot down secrets on the board that supports one's mattress. The board was eventually sawn in two and Patricia used these late night jottings as inspiration for the paintings and named them appropriately... My Secret Thoughts and Handwriting on the Wall.

Currents #3 by Alice Spencer. Each print in this series of monotypes is made of as many as 6 layers using a combination of plates and stencils.

Ivy Arabesque by Alice Spencer. Precision foam board with acrylic and sand. See more here.

Plaster Relief by Laurie Pearsall. Read her blog post here.

Palimpsest by Raymond Pousette-Dart

Solo Moments by Carol Ann Carter. See more of Carol's work here.

Proof is in the binding by Naomi Sultanik. See Naomi's website here.

Georges Noel

On Land and Sea by Lisa Creed. See website here.

Shadow (encaustic) by Lisa Pressman. See website here.

Ann Baldwin. See more work by Ann, here and a step by step layering process here.

Rug Sampler by David Chalmers Alesworth. Dyed wool yarn upon a Persian carpet fragment. Website here.

Contemporary Palimpsest - Jose Parla. See post here.

SHADES OF GREY

Untitled (Hitchcock series) by Robert Natkin.

Whilst walking along a misty beach early one morning, I realized that it was on the soft grey days that I felt most contemplative and content. The muted colours were somewhat soothing ...... and actually, it was a relief not to have the sun in my eyes as I searched the shoreline for bits and pieces to put into my niche carvings.

Sorting through the flotsam which had collected in the crook of a sand dune I marvelled at the beautiful shades of grey. Mussel shells which had roiled at the bottom of some rock pool, pebbles and driftwood rubbed smooth by the sand, downy feathers dropped by industrious sand pipers and my find of the day, remnants of a weathered fish trap .

Driftwood Assemblage from Hanspeterroersma's Flickr photostream. See more here.

Once home and happily reunited with my computer (though I hate to admit my obsession), I found I was gravitating toward art and photographs in beautiful shades of grey.

Black to White by Robert Natkin.

Robert Natkin is an old favourite of mine.

"He is a visual poet whose apparently abstract images actually exist to enchant us with intimations and evocations of things we can sense but never quite see." - Theodore F Wolff

Kalahari by Nicholas Wilton

Rhythm of the day by Leslie Avon Miller

"Having always lived in the Pacific Northwest very near the rain forest, I often live in an environment of grey and white – white caps on the waves of grey seas, seagulls in their grey and white finery, dark grey sands and rocks contrasted with white sea foam and white sea shells, and grey mists hiding the mountains…..the list is long. I see the beauty in the mists as they lift and reveal part of a decomposing dock, or bits of the mountain tops, or a wind carved tree on a cliff as exquisite as a sculpture of granite. One learns to love the subtleties of the colors and the nearly monochromatic shifts." - Leslie Avon Miller

Haunted by Sarah Giannobile.

My friend Lyle often sends me links to new artists and Sarah Giannobile is one of them.

" I use my imagination as a tool to opening up my experiences that once were forgotten." - Sarah Giannobile

Cloth by textile artist India Flint , who is also author of Eco Colour

India Flint has posted glorious detailed photographs of her new series 'landskins', on her website, here. An exquisite series in which "wool felt is used to bind fragments of silk, wool and other natural fibres together to make a cloth; then dyed using plant dyes."

Desire turns concrete by Shayla Perreault Newcomb

Shayla Perreault Newcomb has filmed an Oil Painting Tutorial where she chats about her process, here.

Transience by Donna Watson.

" Currently, I am interested in the passage of time, and what remains. This may be the physical effects in nature or the psychological effects on memory or identity. With the passage of time there is a transience depicted with traces, layers and recollections. I try to take what is personal to me and make a more universal connection." - Donna Watson (interview with Leslie Avon Miller, here. )

Painting from the Expert Mover series by Laurie Pearsall

Laurie Pearsall exhibited the Expert Mover series at her recent exhibition which you can read about here.