LAYER UPON LAYER

Grid by Carol Lee Shanks (stitched cloth remains onto hemp). See more here

Carol Lee Shanks designs and constructs unique handcrafted clothing from fine natural textiles. The textile art pieces you see here are made from the scraps of cloth left over from Carol's 2011 Fall Fashion Collection. 

"She has a great reverence for cloth allowing it to be the foundation of her inspiration. An integral part of her work is manipulating the cloth to create different surface textures."  -  World Shobori Network

Horizon by Carol Lee Shanks. Website here

Hercacleum Sphondylium by Cas Holmes.  (Paper and textile layers, print, worked on top of old teacloths, dye, paint, print, machine and hand embroidery. Ink drawing and transfer). See website here.

"Cas Holmes is deeply moved by the stories of ordinary people's lives, the births, marriages and deaths; the diseases brought on by harsh working conditions and the way these hard facts are hidden from history, forgotten with the passing of time. Her work often contains snippets of text or discarded materials that have associations or conjure up memories. There is always a dialogue with the materials she uses. They bring their own history which is woven into the work" - Moira Vincentelli, Review for Reflections exhibition.

W.I.P by Christi Carter. See blog post here

I love Christi Carter's beaded piece so much I couldn't wait for it to be completed before posting it :-)

Mieke Renders-de Greef. See more at website here

Mieke Renders-de Greef. Website here.

David Quinn. Website here.

I enjoyed reading about David Quinn's process....

"The starting point can be anything, a colour, a found piece of paper, another painting etc. I work on a lot of pieces at the same time. I like being able to see as many of them as i can while I'm working. They feed into and off each other, some sit for ages before coming to fruition, others can come together quickly, the trick is knowing when to step back. I like to layer things up. I probably approach each piece more like a page in a notebook, that's why having lots is important, it means I don't get too precious and am not overly concerned about messing something up. I try to make the most of every mark and layer, look at it from a few different angles and think about how, if at all I could make something of it. This can mean sitting for ages just looking at the work. I want each piece to contain an element of the unexpected and for that to happen means not having too many plans beforehand. Working on a small scale and on lots of pieces at the same time means you can be a lot more spontaneous which I think is crucial if the work is to have life."  - David Quinn. (Read the rest of the interview here and see David's website here)

David Quinn. See website here

Indigo by Jennifer Davies (pigment and plaster on handmade paper). Website here

"In the collages, diverse papers are sewn and glued into surprising combinations. The papers used are often covered with prior visual information -- scraps of old monotypes or failed drawings. Their history animates the collage." - Jennifer Davies

Thyer Machado. See more here

Mary Lloyd Jones. Website here

"  I search for devices that will enable me to create multilayered works. This has led to my involvement with the beginnings of language, early man made marks and the Ogham and Bardic Alphabets."  -  Mary Lloyd Jones

Between the Layers post here