My daughter settling Bug down for the night



My daughter settling Bug down for the night






























Clocks created by Roger Wood
Sunlifter by Rodney Alan Greenblat
Gulliver by Tom Otterness. Photo taken by Brian Kelly. See photo essay here.
Scotchtape Man
I discovered a wonderful post on the blog, Inventorspot. 10 Works of Art to Make When You're Bored out of Youre Mind, by Diana Eid. This is where I found Scotchtape Man......and Banana sculptures...and piddling lemons. What a hoot! But wait there's more! An Australian artist spent 10 years searching for a surgeon who would be willing to transplant a 3rd ear onto his arm. His arm??? Perhaps he wanted to listen to his funny bone.
Geoffrey Gorman is another sculptor who has mastered quirky. His canvas wrapped creatures are slightly off beat, a quality that appeals to me. Geoffrey has now started a blog so go and check it out here.
Citri by Geoffrey Gorman. At the Jane Sauer Gallery.
Leanne Pizio's art, consisting of wacky ceramics and whimsical paintings is bound to put a smile on your face. I love Head Lice!
Head Lice by Leanne Pizio
Yayoi Kusama's work makes you stop and gape. I posted the red spotty balloon tree for Dneese, (Queen of Quirky) who is busy knitting pyjamas for neighbouring trees and poles. Read about her Guerrilla art tactics here. 
Ascension of Polkadots on the Trees by Yayoi Kusama
Guardian Angel by Don Pezzano
If Dneese is Queen of Quirky I suppose Don must be King of Quirky. See more of Don's work here.

Three doors down by Alison O'Donoghue, the Mary Lou Zeek Gallery
Etching by Robert Barnov




Traveler, 2006. Davidson Galleries
Carved Door: Ancestral Voices
Silence Spoken by Lewis Knauss (USA). Woven, knotted, linen, feathers, handmade paper, wire.
A gallery I've recently discovered on the net has my heart doing backflips.With a focus on Art Textiles and Fiber Sculpture, Browngrotta Arts showcases contemporary art from around the globe.







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Discourse by Caroline Bartlett (born Zambia, living in UK)
"My recent work has focused on the act of collecting and archiving, and on the overwriting of histories. As a result, processes of erasing and reworking, folding and unfolding, have become central to both ideas and working methods, permeating responses to other stimuli - such as recent visits to Japan and Australia. A preoccupation with the tactile and its connections with memory continue to be an ongoing concern while the use of print as a means of marking cloth, and a continuing involvement in stitch and manipulation techniques provide me with a working vocabulary and the means by which I process and articulate ideas." - Caroline Bartlett